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10/28/2018 10:20:43 PM

Of Acorns and Autumn: How Awe, Fear and Daring Inspire a Series

Jeanne Rosier Smith / 15 Comments
Topics: conquering fear | creativity | exercises | failure | Learning to see | Museum | process | subject matter 

Autumn Symphony 28x22
Autumn Symphony 28x22

Sometimes paintings take a while to germinate.  The seed for ‘Autumn Symphony” took root several Octobers ago when I took this reference photo on a walk near my home.

 

 This is the time of year when driving gets dangerous, because the beauty on the sides of the road get truly distracting.  

 

About a year ago I chose the reference as inspiration for 20-minute painting demonstration sketch.  While the subject had always intimidated and awed me, I reasoned that expectations had to be low for a quick demo, so why not try it?  Risk of failure is minimal when one has low expectations. The stained-glass effect and simple, graceful lines of the resulting 12”x6” study both surprised and appealed to me.

Autumn Cathedral, 12 x 6

 

Ever since. I’ve been thinking about doing a larger, fuller version.  Since it’s easy to go too far with trees, I chose this as my subject for a recent demo at the Museum of Fine Arts, Boston.  I’ve discovered that a well-planned demo painting tends to stay fresher and looser than a studio painting, where I have all the time in the world to go too far.  And again, as a demo, no one expects too much so I was not so afraid to fail.

Here's my thumbnail:

I chose a sheet of PastelMat in dark grey as my base, and began by laying in a dry underpainting of background color areas, along with laying in the major trunk shapes in Terry Ludwig eggplant and fixing those in place with alcohol.  From there I built layers in brights and warm greens, and finally added the skinny branches.

 

After the demo, I brought the piece home and made final touches, pushing some areas back to lose detail and adding brighter, bolder strokes to heighten impact in my focal areas.  

Autumn Symphony, 28x22

 

This piece, along with the current spectacular foliage season, has inspired a series which I expect will continue around the time each year.  Here are some other recent explorations:

Foliage Season 14x18

 

Perfect Balance 16x12

 

Jubilee 12x16

 

Fall color 12x16

 

As always happens with series, each new painting teaches me more about the subject.  I discover ways to create depth, I notice new color shifts, and begin to see how to simplify.  In my experience, new iterations don’t beget repetitiveness; rather, they branch out in different directions and inspire new ideas.

 

I’m glad I didn’t rush this idea:  I may have needed the extra time to become comfortable with the subject matter.  I’ve realized over time that following my instincts about what to paint yields better results than following a more regimented path.

 

I’m curious to know if you’ve had the same experience with thinking long, or diving deep into a subject.

 

 

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15 Responses to Of Acorns and Autumn: How Awe, Fear and Daring Inspire a Series

I liked this blog quite a bit. I liked that your emotions and behavior around painting, failing, trying, waiting, trying again, and achieving a higher level of mastery and success can apply to most pursuits in life.

For my dog training students, I tell them about "peeling the onion" where they can hear a piece of information or idea to execute and have a ground-floor understanding of what I meant. That's great!

The interesting thing is that when they've matured as handlers a bit more, they can hear the same information, but they take something more from it. I hear "Oh, THAT is what you meant..." With more time, practice and thought, the same information given yet again leads the handler to more in-depth understanding and ability. And again I hear "Oh, THAT is what you meant!" That is when I see that the more seasoned student understands differently, and can run with it herself.

For awhile when I was new as a coach, I feared that I just wasn't clear about what I meant in the first place. But that wasn't it. People have to be ready to peel that next layer, they can't just get it all right away without effort and experience. Each layer of that peeled onion yields surprises, understanding,and insight, but only when you've mastered the outside layers. To me, this is the process of mastery. It's often not a straight line from Novice to Expert - there are many side trips and double-backs. Sometimes we retreat into what is known and safe, vs what is new and challenging (and maybe scary). But moving forward can come after you have logged some miles.

Each of us has to go through the cycle. Nobody else can do it for you. You can take in the information at each level only when you're ready. You know when you're peeling that onion, though - the discovery process is quite reinforcing! And the journey itself, rather than just the summit, is something to celebrate.

Hi Jeanne
This is an inspiring blog. Those of us with less experience can see that even those artists with greater accomplishments have doubts and fears about their work or attempting new or complicated subjects. Especially in front of a crowd at the MFA! No pressure there!! Thanks for sharing and yes I have also put off attempting certain subjects or working from photos I've taken until I feel the time is right. Sometimes I'm lucky enough to grab a workshop or class on the subject from a more seasoned artist to give me a boost in confidence.

Spectacular paintings, interesting pathway to a series in this blog, Jeanne! As always, you do not disappoint.
Whether capturing the light on the leaves and the rustle from the wind in the trees or the smell of bleu cheese or the crash of a breaking wave, you always deliver. Your abilities as a writer and teacher are so appreciated, too, as you share your ideas and apprehensions on this very human journey.

Thanks for this blog, and your beautiful art!

Thanks so much for sharing your thoughts of fear, anticipation, and seeing. I agree each attempt is an exercise in conquering desire to capture what we see in our minds and what we are able to create in our pastel work. Your final work on Autumn Symphony is captivating -- offering stunningly beautiful fall leaf colors with a seeming simplicity of leaf formation. Totally enjoy your blog

It is hard to find the right words for your autumn pieces...how about achingly beautiful? I am moved by the wonderful colors and the shapes of the trees and leaves...all magnificent. I also find myself avoiding subjects that involve anything like portraits or even faces in a crowd. I've just started adding a figure (faceless!) to a few of my landscapes. It helps that pastel is a forgiving medium. Thank you for sharing your emotions as well as your beautiful work.

P.S. Congratulations on your selection for first prize by the Pastel Journal...It's so well deserved.

You're autumn tree series is just as impressive as your ocean/wave paintings! You seem to capture the light. Do the tree paintings have an underpainting similar to your ocean paintings? I was at your workshop at Carrie Moore's and have really enjoyed painting the ocean which is totally new for me. I like your idea of the underpainting being a "set-up" for the final layers.

Hi Jeanne,
Thank you so much for this blog. It definitely shows the importance of letting go of fear and just going for it! I find that doing thumbnails really helps me before I actually start a painting, it creates a road map for me and I don't feel as afraid to try.

Wow! First Place! A beautiful painting that truly deserves a First Place award.

Wow everyone thanks for the great response to this. Janice, your response is so interesting--I have noticed the exact same cyclical learning phenomenon in my own art teaching and you describe it so well. Thank you so much for your thoughtful comment!
Joanne, Kathy, Wendy, Sherry, Alicia, I'm so glad this resonated with you. I do believe we are always going to be students figuring out the best way to say things and evolving in our processes.
Sometimes that involves using different approaches: for example this one is NOT done with a typical underpainting but on dark grey paper with a dry underpainting where I wanted to lighten.

Hi Jeanne, great blog piece! I tend to rush through things sometimes, and this manifests itself in my painting. Hearing about your experiences reminds me to slow down and get comfortable with a subject matter and learn from each new painting. My waves are improving!
Thanks for sharing.
Elaine
P.S. I keep thinking about that pomegranate....

To Elaine: thanks for your comment, and I'm glad to hear it gave you that insight--slowing down is always a great thing to remember. The pomegranate is now for sale at Gallery 31 Fine Art, in Orleans, Cape Cod. :)


To ALL: I am happy to announce that Autumn Symphony, featured here, has recently found its forever home thanks to Larry Powers and the team at Powers Gallery in Acton MA--yay!

Jeanne, I love your blogs and your work! Your paintings no matter what subject are always so beautiful. You are very inspiring and I look forward to your next blog.

Thanks Mel, so much. It's great to hear from you!

Beautiful, as always!


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