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Of Acorns and Autumn: How Awe, Fear and Daring Inspire a Series
Topics: conquering fear | creativity | exercises | failure | Learning to see | Museum | process | subject matter

Autumn Symphony 28x22
Sometimes paintings take a while to germinate. The seed for ‘Autumn Symphony” took root several Octobers ago when I took this reference photo on a walk near my home.
This is the time of year when driving gets dangerous, because the beauty on the sides of the road get truly distracting.
About a year ago I chose the reference as inspiration for 20-minute painting demonstration sketch. While the subject had always intimidated and awed me, I reasoned that expectations had to be low for a quick demo, so why not try it? Risk of failure is minimal when one has low expectations. The stained-glass effect and simple, graceful lines of the resulting 12”x6” study both surprised and appealed to me.

Autumn Cathedral, 12 x 6
Ever since. I’ve been thinking about doing a larger, fuller version. Since it’s easy to go too far with trees, I chose this as my subject for a recent demo at the Museum of Fine Arts, Boston. I’ve discovered that a well-planned demo painting tends to stay fresher and looser than a studio painting, where I have all the time in the world to go too far. And again, as a demo, no one expects too much so I was not so afraid to fail.
Here's my thumbnail:

I chose a sheet of PastelMat in dark grey as my base, and began by laying in a dry underpainting of background color areas, along with laying in the major trunk shapes in Terry Ludwig eggplant and fixing those in place with alcohol. From there I built layers in brights and warm greens, and finally added the skinny branches.
After the demo, I brought the piece home and made final touches, pushing some areas back to lose detail and adding brighter, bolder strokes to heighten impact in my focal areas.

Autumn Symphony, 28x22
This piece, along with the current spectacular foliage season, has inspired a series which I expect will continue around the time each year. Here are some other recent explorations:

Foliage Season 14x18

Perfect Balance 16x12

Jubilee 12x16

Fall color 12x16
As always happens with series, each new painting teaches me more about the subject. I discover ways to create depth, I notice new color shifts, and begin to see how to simplify. In my experience, new iterations don’t beget repetitiveness; rather, they branch out in different directions and inspire new ideas.
I’m glad I didn’t rush this idea: I may have needed the extra time to become comfortable with the subject matter. I’ve realized over time that following my instincts about what to paint yields better results than following a more regimented path.
I’m curious to know if you’ve had the same experience with thinking long, or diving deep into a subject.

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